The Arrival and Concert #1

Well finally!

After two years of fitful starts and incubation, my first solo recording in 15 years has arrived. The kind man in the big brown truck stopped by Thursday evening, and after being terrorized by my Labrador Retriever, Jake (all bark and no bite), dropped two boxes of CDs on the porch. There really is something magical about cracking open that first box of discs -- reminds me of the scene in the original Back To The Future movie when George McFly opens that first box of books that he wrote. That's it! I'm the George McFly of contemporary folk music... okay, maybe not. But they're here, they're done and they sound great!

Within the next couple of weeks the album will be available for download on iTunes, Amazon, Spotify, and most anywhere else you can purchase music on-line. Physical CDs will be available on the web through CDBaby-dot-com.

So right on the heels of getting the album, I did my first solo performance last night at Olivia's Coffee House in Eustis, Florida -- a bit west of Orlando. I was joined on stage by three of my Ashley Gang bandmates (Bob, Michelle and Kay), which was a very comforting situation. We had a decent crown for a hot August central Florida night, and most stuck it out for the full three hours. I have to confess to a pretty heavy dose of nerves, which is actually pretty unusual for me. I think that it only really affect me on one tune... one not on any album that I played without any backup, and that is politically controversial. Otherwise we did a nice mix of my original music spanning the last 15 years, two solo albums, and two with the Ashley Gang. On the whole, it was great fun -- Fred and Olivia are the consummate hosts, as are Margie and Joel who put us up for the night and tolerated Bob's snoring...

The next concert is the August 20th "official" CD release concert at the European Street Listening Room in Jacksonville, Florida. Many special guests that night, not to mention excellent food and drink. If you are in the vicinity, drop by and say hey, and pick of a copy of "Songs From Sand Lake". Remember that this is music with a mission -- a decent portion of all sales proceeds for this CD will be donated to the St. Johns Riverkeeper, a non-profit organization dedicated to the preservation of Florida's historic Saint Johns River, and a cause near and dear to my heart. We actually made some money for SJRK last night...

Stay tuned, support live music wherever you live, and stand by....

Grant Peeples - Okra, Ecclesiastes, and Leftneck Honey

Grant Peeples

Grant Peeple's arrived at the European Street listening room in Jacksonville last night with the latest rendition of The Peeples Republik Band, and in his purely Grant Peeples' way, entertained the heck out of a pretty decent Thursday night audience. Every move, right down to his scripted sales pitch for Sopchoppy's own LeftNeck Tupelo Honey (attractively modeled by the lovely Susan Brown), was designed to exploit his audience's attention -- in order to instill his version of their own good. Grant doesn't just have a point of view, he IS a point of view. What you hear...and what you see... is exactly what you get. The evening was a nearly perfect mix of Grant standards (The Hanging) and new tunes (My People Come From The Dirt) for his planned third recording that he'll start working on in November.

Susan Brown

Grant takes his audience on an emotional roller coaster ride, slipping from the far side of musical humor  to the bottom of an emotional pit dug deep in the dirt of rural, impoverished Florida -- the significant bits of this state that they don't advertise to the tourists. And last night he was spot-on with a crew of talented musicians for support. Mike Legacy flat picked lightening fast lead guitar licks that were slick enough to impress, yet had just enough rough-around-the-edges necessary to the Peeples ambiance.

Mike Legacy

Eric Avlar, a music student at Florida State University, who was told he couldn't study the mandolin there, took up the bass instead. Eric supplied a sure steady, and often inventive foundation. How often to you get to hear a bass solo in a folk or americana tune? We got a great one last night. Eric also picked up the mandolin on short notice and tastefully filled in the blanks...

Eric Avlar

Susan Brown, who has been featured on these pages previously for her ever refined performances with partner Jamie DeFrates, added the feminine counterpoint essential to the Peeples' music. Harmonies and solo passages beautifully sung also point to the versatility of Grant's writing. Not many tough guys can write well for a woman's point of view. He does that really well.

Behind the band and generally out of camera range sat Randy Judy, providing percussion accents with a set of bongo drums, an inverted cardboard box, and a set of drummer brushes.

Overall it was Grant Peeples entertaining his people at his philosophical and musical best. Not to mention that song "Pole Dancing to Gospel Hymns". You'll need to buy the new CD -- or track Grant down in performance before he hits the studio in November to hear that one. It can be a struggle to be a niche musician in a country with a 15 second attention span and an addiction to dance music. Grant Peeples is capitalizing pretty well in that situation. His fans, including me, hope that he can raise enough capital to continue raging against the machine for a long, long time to come.

Grant Peeples -- One Unique Individual

Grant Peeples calls himself an "Americana" musician / singer-songwriter. The first time I met Grant he scared the $#!t out of me... and that's a good thing -- or a SWEEEEEEEET deal... a bit scruffy around the edges, shaved head, tatoo or three. His music rises from the dirt. Gut level, feel the pain, been there, got the rash pureness that you don't hear much. Truthiness. He'd hate that. Maybe not.

Next time I met Grant we hugged like long lost brothers. With different mothers AND fathers. But this man gets to me. He has the guts that I don't have -- to take the chance with the contents of your heart and soul, expose it to the world, and just hope it pays you back enough to make the next gig. Here's a bit of Grant's ruminating about the recent Americana Music Conference in Nashville:

What the hell is Americana Music?

It’s sort of a running joke at the annual Americana Conference:    What IS Americana Music?  

 The definition I myself came up with this year was:    “Americana music is the music you don’t hear when you are scanning the radio dial.”    Cute, huh?

I had almost compartmentalized the proverbial  “conference experience” and moved on.   But then, in the USA Today this past Tuesday, there was a huge story about Robert Plant. (Yeah, the Lead Zepplin dude.)    Robert Plant and Alison Krauss had THE biggest record on the Americana charts last year, “Raising Sand”.   

And now,  this year,  Mr. Plant has assembled an All-Star cast of band members to form, “Band Of Joy,” which is sure to be the #1 Americana touring act between now and the NEXT Americana Conference.

So…I have to ask:   Was I the only one that noticed that the USA Today story never ONCE said “Americana” music?    They called it “American” music.    Damn. Every time I think this Americana thing might be getting some traction, I realize the truth is....the wheels are still spinning.   

Can anybody say:   “Mar-ke-ting-con-sul-tant?”

Grant will be making an in-person live appearance in Jacksonville next Thursday night (September 23), 8:30 at the European Street Listening Room on San Marco in Jacksonville. I'll be there annoying the crap out of him with my camera. You'll find photos and a review here. In the meanwhile... check this out.